{"id":545751,"date":"2026-05-26T21:58:16","date_gmt":"2026-05-26T18:58:16","guid":{"rendered":"https:\/\/reform.news\/?p=545751"},"modified":"2026-05-27T07:19:19","modified_gmt":"2026-05-27T04:19:19","slug":"exhibition-by-podlasie-artist-malgorzata-dmitruk-opens-at-the-ivan-lutskievich-belarusian-museum-in-vilnius","status":"publish","type":"post","link":"https:\/\/reform.news\/en\/exhibition-by-podlasie-artist-malgorzata-dmitruk-opens-at-the-ivan-lutskievich-belarusian-museum-in-vilnius","title":{"rendered":"Exhibition by Podlasie Artist Ma\u0142gorzata Dmitruk Opens at the Ivan Lutskievich Belarusian Museum in Vilnius"},"content":{"rendered":"<div id=\"fb-root\"><\/div>\n<p>An exhibition titled \u201cThe Line of Transition\u201d by Warsaw Academy of Fine Arts professor <b>Ma\u0142gorzata Dmitruk<\/b> has <a href=\"https:\/\/www.facebook.com\/events\/946992274820626\/\">opened<\/a> at the Ivan Lutskievich Belarusian Museum in Vilnius.<\/p>\n<figure id=\"attachment_545711\" aria-describedby=\"caption-attachment-545711\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-545711\" src=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/malhazata-dmitruk-halounae-fota-1024x768-1.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/malhazata-dmitruk-halounae-fota-1024x768-1.jpg 1024w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/malhazata-dmitruk-halounae-fota-1024x768-1-300x225.jpg 300w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/malhazata-dmitruk-halounae-fota-1024x768-1-768x576.jpg 768w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/malhazata-dmitruk-halounae-fota-1024x768-1-533x400.jpg 533w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-545711\" class=\"wp-caption-text\">Ma\u0142gorzata Dmitruk. Photo: Belarusian Culture Center<\/figcaption><\/figure>\n<p>Ma\u0142gorzata Dmitruk was born in Podlasie, studied for several years at the Belarusian Academy of Arts, and completed her professional education at the Academy of Fine Arts in Warsaw.<\/p>\n<p><i>\u201cThe Bia\u0142ystok region inspires me,\u201d<\/i> the artist says. Dmitruk\u2019s work originates from family experience deeply rooted in the culture and traditions of the Polish-Belarusian borderland and the Belarusian minority of Podlasie.<\/p>\n<figure id=\"attachment_545713\" aria-describedby=\"caption-attachment-545713\" style=\"width: 1920px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-545713\" src=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/r.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/r.jpg 1920w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/r-300x225.jpg 300w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/r-1200x900.jpg 1200w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/r-768x576.jpg 768w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/r-1536x1152.jpg 1536w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/r-533x400.jpg 533w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/r-1067x800.jpg 1067w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption id=\"caption-attachment-545713\" class=\"wp-caption-text\">Photo: Radio Racyja<\/figcaption><\/figure>\n<p>The central work of the exhibition, \u201cThe Line of Transition,\u201d is a multi-meter textile composition dedicated to events on the Belarusian-Polish border. Dmitruk worked on it for nearly two years, constantly monitoring news from the border and asking herself why mothers with children were dying in her native region.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-545714\" src=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/racyja.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/racyja.jpg 1920w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/racyja-300x225.jpg 300w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/racyja-1200x900.jpg 1200w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/racyja-768x576.jpg 768w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/racyja-1536x1152.jpg 1536w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/racyja-533x400.jpg 533w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/racyja-1067x800.jpg 1067w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>The work is not only about crossing a state border, but also about transitions from forest to field, from field to village, from village to city. <i>\u201cThe seasons change, the stages of human life change from cradle to deep old age,\u201d<\/i> the artist notes.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-545715\" src=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/rrac.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/rrac.jpg 1920w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/rrac-300x225.jpg 300w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/rrac-1200x900.jpg 1200w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/rrac-768x576.jpg 768w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/rrac-1536x1152.jpg 1536w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/rrac-533x400.jpg 533w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/rrac-1067x800.jpg 1067w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>Another important theme is the transition from darkness to light: the composition impresses with its textures and contrasts, while tragic scenes unexpectedly give way to bright landscapes.<\/p>\n<figure id=\"attachment_545716\" aria-describedby=\"caption-attachment-545716\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-545716\" src=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/mmdm-1200x555-1.png\" alt=\"\" width=\"1200\" height=\"555\" srcset=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/mmdm-1200x555-1.png 1200w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/mmdm-1200x555-1-300x139.png 300w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/mmdm-1200x555-1-768x355.png 768w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/mmdm-1200x555-1-865x400.png 865w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-545716\" class=\"wp-caption-text\">Photo: social media<\/figcaption><\/figure>\n<p>Dmitruk often creates her textile works from found, donated, and inherited fabrics and threads that carry memory and history. For example, one of the works presented at the exhibition, \u201cLullaby,\u201d was created by embroidering onto her children\u2019s blanket the words of a traditional lullaby from the village of Mokre near Bielsk Podlaski, sung by her grandmother.<\/p>\n<figure id=\"attachment_545717\" aria-describedby=\"caption-attachment-545717\" style=\"width: 898px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-545717\" src=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706102370_122215639136293706_3423189942787765895_n.jpg\" alt=\"\" width=\"898\" height=\"1200\" srcset=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706102370_122215639136293706_3423189942787765895_n.jpg 898w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706102370_122215639136293706_3423189942787765895_n-225x300.jpg 225w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706102370_122215639136293706_3423189942787765895_n-766x1024.jpg 766w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706102370_122215639136293706_3423189942787765895_n-768x1026.jpg 768w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706102370_122215639136293706_3423189942787765895_n-299x400.jpg 299w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706102370_122215639136293706_3423189942787765895_n-599x800.jpg 599w\" sizes=\"auto, (max-width: 898px) 100vw, 898px\" \/><figcaption id=\"caption-attachment-545717\" class=\"wp-caption-text\">\u201cLullaby.\u201d Photo: Belarusian Culture Center<\/figcaption><\/figure>\n<p>The lithograph series \u201cKombinat\u201d is dedicated to <b>Dzmitry Malatkou<\/b>, an artist and printer who headed a printing workshop at an art combine in Minsk. Dmitruk worked at the workshop while studying at the Belarusian Academy and later specially traveled from Warsaw to professionally print her lithographic works.<\/p>\n<figure id=\"attachment_545718\" aria-describedby=\"caption-attachment-545718\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-545718\" src=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706559909_122215641896293706_6962899063107268147_n.jpg\" alt=\"\" width=\"1200\" height=\"900\" srcset=\"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706559909_122215641896293706_6962899063107268147_n.jpg 1200w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706559909_122215641896293706_6962899063107268147_n-300x225.jpg 300w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706559909_122215641896293706_6962899063107268147_n-768x576.jpg 768w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706559909_122215641896293706_6962899063107268147_n-533x400.jpg 533w, https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/706559909_122215641896293706_6962899063107268147_n-1067x800.jpg 1067w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-545718\" class=\"wp-caption-text\">\u201cKombinat\u201d lithograph series. Photo: Belarusian Culture Center<\/figcaption><\/figure>\n<p>The artist\u2019s style is distinctive and recognizable: having received professional education at two academies, she imitates the drawing style of na\u00efve artists and children in order to preserve the immediacy of creative self-expression. In doing so, while addressing complex and sometimes horrifying themes, she maintains piercing sincerity.<\/p>\n<p>The exhibition will run until June 28.<\/p>\n<blockquote class=\"info\"><p><strong>Subscribe to <a href=\"https:\/\/t.me\/cult_front\">Reform.news cultural news<\/a> on Telegram<\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>An exhibition titled \u201cThe Line of Transition\u201d by Warsaw Academy of Fine Arts professor Ma\u0142gorzata Dmitruk has opened at the Ivan Lutskievich Belarusian Museum in Vilnius. Ma\u0142gorzata Dmitruk was born in Podlasie, studied for several years at the Belarusian Academy of Arts, and completed her professional education at the Academy of Fine Arts in Warsaw. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":545750,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_sharing_image":{"poster":"https:\/\/reform.news\/wp-content\/uploads\/2026\/05\/6a1670c9a8410.jpg","width":1200,"height":630,"template":"691142dd","mode":"auto"},"_sharing_image_fieldset":{"dTVKfmI95PYT":"Exhibition by Podlasie Artist Ma\u0142gorzata Dmitruk Opens at the Ivan Lutskievich Belarusian Museum in Vilnius"},"footnotes":""},"categories":[142375,142338],"tags":[],"class_list":["post-545751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-news"],"wps_subtitle":"","permalink_manager":null,"_links":{"self":[{"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/posts\/545751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/comments?post=545751"}],"version-history":[{"count":0,"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/posts\/545751\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/media\/545750"}],"wp:attachment":[{"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/media?parent=545751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/categories?post=545751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reform.news\/en\/wp-json\/wp\/v2\/tags?post=545751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}